One term paper (6-8 pages, typed, double space) with notes (either MLA or Chicago Style) and bibliography. Students are expected to develop an issue related to the course material. Typical topics include studies of a single work of art, work produced under the patronage of a particular individual or clan, a particular aspect of a single artist’s work, or a carefully delimited discussion about the development of a particular type of subject matter. The grade will be based on clarity of presentation, effectiveness of evidence presented, and soundness of conclusions.
reference_book.docx
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Major References
Julia Andrews and Kuiyi Shen. A Century in Crisis: Modernity and Tradition in the
Art of Twentieth Century China. New York: Guggenheim Museum and Abrams, 1998
Michael Sullivan. Art and Artists in the Twentieth Century China. Berkeley:
University of California Press, 1996
Julia Andrews. Painters and Politics in the People’s Republic of China. Berkeley and
Los Angeles: University of California Press, 1994.
REFERENCE BOOKS:
Andrews, Julia F. Painters and Politics in the People’s Republic of China. Berkeley
and Los Angeles: University of California Press, 1994. ND1045.A53 1994
______. Fragmented Memory: Chinese Avant-Garde in Exile, with Gao Minglu.
Exhibition catalogue. Columbus: Wexner Center for the Arts, 1993.
Andrews, Julia F., and Kuiyi Shen. A Century in Crisis: Modernity and Tradition in
the Art of Twentieth Century China. New York: Guggenheim Museum and
Abrams, 1998
N7345.A53 1998x
______. “Traditionalism as a Modern Stance: The Chinese Women’s Calligraphy and
painting
Society.” Modern Chinese Literature and Culture vol.11, no.1 (Spring
1999). pp. 1-30.
Barme, Geremie, and Jon Minford. Seeds of Fire: Chinese Voices of Conscience.
Newcastle- upon-Tyne, 1988. PL2658.E1 S44 1988
Barnhart, Richard, et al. Three Thousand Years of Chinese Painting. New Haven:
Yale
University Press, 1997. ND1040.T48 1997
Brown, Claudia, and Ju-hsi Chou. Transcending Turmoil: Painting at the Close of
China’s Empire 1796-1911. Phoenix Art Museum, 1992. ND1043.5.B76 1992
Cahill, James Francis. The Painter’s Practice. New York: Columbia University Press,
1994. ND1043.5.C35 1994
Chang, Arnold. Painting in the People’s Republic of China: The Politics of Style.
Boulder:
Westview Press, 1980.
Chang, Tsong-zung, ed. The Stars: 10 Years. Hong Kong, 1989.
China Avant-Garde: Conter-Current in Art and Culture. Hong Kong: Oxford
University Press,
1993. ISBN 0-19-586423-9
Clark, John, Modern Asian Art. North Rude, N.S.W., 1988.
______. ed. Modernity in Asian Art. Canberra: Wild Peony, 1993
Cohen, Joan Lebold. The New Chinese Painting, 1949-1986.New York: Abrams,
1987.
ND1045.C631987
______. Painting the Chinese Dream: Chinese Art Thirty Years after the Revolution
(Painting
and Sculpture 1978-1981).Northampton, Mass., 1982.
Croizier, Ralph. Art and Revolution in Modern China: The Lingnan (Cantonese)
School of Painting, 1906-1951. Berkeley and Los Angeles: University of
California Press, 1988.
ND1043.53L55 C7 1988
Doran, Valerie C. China’s New Art, Post-1989, with a Restropective from 1979-1989.
Introduction by Chang Tsong-zung, Hong Kong: Hanart T Z Gallery 1993.
Erickson, Britta. On the Edge: Contemporary Chinese Artists Encounter the West.
Exh. Cat. Stanford: Cantor Art Center, Stanford University, 2005.
______. Words without Meaning, Meaning without Words: the Art of Xu Bing.
Exh.cat. Washington, D.C.: Sackler Gallery, 2001.
Ellsworth, Robert. Later Chinese Painting and Calligraphy, 1800-1950. New York:
Random
House, 1988.
Farrer, Anne. Wu Guanzhong: A Twentieth-Century Chinese Painter. London: British
Museum, 1992.
Fu, Shen C. Y. And Jan Stuart. Challenging the Past: The Paintings of Chang Daichien. Washington, 1991.ND1049.C4523 A4 1991
Galikowski, Maria. Art and Politics in China, 1949-1986. Hong Kong: Chinese
University of
Hong Kong, 1996. N7345.G35 1998x
Gao Minglu, ed., Inside Out: New Chinese Art, San Francisco Museum of Modern
Art and Asian Society Galleries, 1998.
______. The Wall: Reshaping Contemporary Chinese Art, Buffalo: Albright-Knox
Art Gallery, 2005.
Goldman, Merle, ed. China’s Intellectuals and State: In Search of a New Relationship.
Cambridge, Mass., 1987. DS777.6.C46 1987
______. China’s Intellectuals: Advise and Dissent. Cambridge, Mass., 1981.
DS777.6.G64
Hajek, Luber. Contemporary Chinese Painting. London: Spring Books, 1961.
ND1045.H312
History of Chinese Oil Painting: from Realism to Post-Modernism. Hong Kong:
Schoeni Art Gallery Ltd., 1995. ISBN 962-7502-15-4
Kao, Mayching, ed. Twentieth-Century Chinese Painting. Oxford: Oxford University
Press, 1988. ND1045. T86 1988
Kraus, Richard C.. Pianos and Politics in China: Middle-Class Ambitions and the
Struggle over
Western Music. Oxford, England: Oxford University Press, 1989.
ML336.5.K72 1989
Kuo, Jason Chi-sheng. ed., Visual Culture in Shanghai, 1850-1930. Washington D.C.:
New Academia Publishing, 2007.
_____. Heirs to a Great Tradition: Modern Chinese Paintings from the Tsien-hsiangchai
Collection. Seattle: University of Washington Press, 1993.
_____. Innovation with Tradition: The Painting of Huang Pin-hung. With
contributions by Richard Edwards and Tao Ho. Hong Kong, 1989.
Laing, Ellen Johnston. The Winking Owl: Art in the People’s Republic of China.
Berkeley and
Los Angeles: University of California Press, 1988. N7345.L35 1988
_____. An Index to Reproductions of Paintings by Twentieth-Century Chinese
Artists. Asian
Studies Program, Publication no.6. Eugene: University of Oregon,
1984. Z5949.C5 L32 c.2
Lee, Leo Ou-fan. Shanghai Modern. Cambridge: Harvard University Press, 1999
DS796.S25 L43 1999
_____, ed. Lu Xun and His Legacy. Berkeley and Los Angeles: University of
California Press, 1985.PL2754.S5 Z7567 1985
_____. The Romantic Generation of Modern Chinese Writers. Cambridge, Mass.:
Harvard
University Press, 1973. PL2277.L4 1973
Li, Chu-tsing. Trends in Modern Chinese Painting (The C.A. Drenowatz Collection).
Artibus Asiae Supplementum 36. Ascona, Switz: Artibus Asiae Publishers, 1979.
_____. Liu Kuo-sung: the Growth of a Modern Chinese Artist. Taipei: National
Gallery of Art and Museum of History, 1969. ND1049. L7739 L5
Lim, Lucy, ed. Wu Guanzhong: A Contemporary Chinese Artist. San Francisco,
1989.
______. Contemporary Chinese Painting: An Exhibition from the People’s Republic
of China.
San Francisco, 1984. ISBN 0-9609784-8-8
Link, Perry, Paul Pickowitz, Rechard Mason, Popular China. 2001.
Minick. Scott, and Jiao Ping. Chinese Graphic Design in the Twentieth Century.
London, 1990. NK1068.M56 1996x
Shen, Kuiyi. Illusion/Image—Contemporary Chines Ink Art Series I. Beijing: HIVE
Contemporary Art Center, 2013.
_____. Zhou Brothers: Thirty Years of Collaboration. Chicago: Elmeherst Museum &
Chicago Cultural Center, 2004.
______. Word and Meaning: Six Contemporary Chinese Artists. Baffulo: University
at Baffalo Art Gallery, 2000.
Shen, Kuiyi and Julia Andrews, Blooming in the Shadows: Unofficial Chinese Art,
1974-1985. New York: China Institute Gallery, 2011
______, Light Before Dawn. Hong Kong: Asia Society Hong Kong Center, 2013
Shen, Kuiyi, and Li Xiaoqian. Why Not Ink? Beijing: Today Art Museum, 2012
Silbergeld, Jerome. China into Film: Frame of Reference in Contemporary Chinese
Cinema.
London: Reaktion Books, 1999. PN1994.S55 1999x
_____, with Gong Jisui. Contradictions: Artistic Life, the Socialist State, and the
Chinese Painter Li Huasheng. Seattle: University of Washington Press, 1993.
ND1049.L4765 S56 1993
_____. Mind Landscape: The Paintings of C.C. Wang. Seattle: University of
Washington Press, 1987. ND1049.W18 A4 1987
Spence, Jonathan D. The Gate of Heavenly Peace: the Chinese and Their Revolution,
1895- 1980. New York: Penguin Books, 1982. DS774.S59 1982
_____. The Search for Modern China. New York, London: W.W.Norton & Company,
1990. DS754.S65 1990
Strassberg, Richard E., ed. I don’t Want to Play Chess with Cezanne” and Other
Works:
Selections from the Chinese “New Wave” and “Avant-Garde” Art of the
Eighties.
Pasadena, 1991.
Strassberg, Richard E., and Waldemar A. Nielsen. Beyond the Open Door:
Contemporary Paintings from the People’s Republic of China. Pasadena, 1987.
ND1045.S87 1987x
Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los
Angeles:
University of California Press, 1996. N7345.S79 1996
_____. The Meeting of Eastern and Western Art. 2nd ed. Berkeley and Los Angeles:
University of California, 1989. N7429.S93 1997x
Sun, Shirley Hsiao-ling. Lu Hsun and the Chinese Woodcut Movement, 1929-1936.
Ph.D. diss., Stanford University, 1974.
Vine, Richard, New China, New Art, Munich: Prestel, 2008
Weidner, Marsha. Views from Jade Terrace: Chinese Women Artists, 1300-1912.
Indianapolis,
1988. N7343.5.V54 1988x
Wu Hung, ed. Contemporary Chinese Art: Primary Documents, New York: Museum
of Modern Art, 2010
______, Wang Huangsheng, and Feng Boyi, eds. The First Guangzhou Triennial:
Reinterpretation—A Decade of Experimental Chinese Art (1990-2000). Exh.cat.
Guangzhou: Guangdong Museum of Art, 2002.
______. ed. Chinese Art at the Crossroads: Between Past and Future, Between East
and West. Hong Kong: New Art Media, 2001.
______. Exhibiting Experimental Art in China. Exh. Cat. Chicago: Samrt Museum of
Art, University of Chicago, 2000.
______. Transience: Chinese Experimental Art at the End of the Twentieth Century,
Chicago:
Smart Museum of Art, University of Chicago,1999.
Wu Tung. Painting in China since the Opium Wars. Boston, 1980

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